Aleksander Gabryś

Nexus

Composer relationships and works written for or developed with Aleksander Gabryś.

Artist histories

Helmut Oehring

Helmut Oehring — Gunten (2008)

Aleksander Gabryś as Kraus — double bass / Sprecher / stage action

In Helmut Oehring’s Gunten, Aleksander Gabryś appears as Kraus — double bassist, Sprecher and stage character.

This short excerpt shows Kraus in a situation of psychological and physical subordination and humiliation. Kneeling, licking the mud from the young lady’s shoes beneath her dress, manipulated by his own pupil at the school for servants and gradually stripped of his jacket, he proves to be nothing but a tool in the invisible hands of Others. The double bass meanwhile remains at the back of the stage. Gunten marked the beginning of Gabryś’s long collaboration with Oehring.

Ensemble Phoenix. Stage direction: Marcus Bothe. Conductor: Jürg Henneberger. Concept and text adaptation: Stefanie Wördemann.

Gunten — Kraus: performance excerpt

00:48.53. World premiere of the production: GARE DU NORD Bahnhof für Neue Musik, Basel, 16 October 2008.

Aleksander Gabryś with double bass in Freiburg in the context of Helmut Oehring's Angelus Novus III.
Freiburg, 14 June 2016: Angelus Novus III by Helmut Oehring.

Helmut Oehring

Angelus Novus III

World premiere with SWR Orchester in Freiburg on 14 June 2016. While playing the double bass, Aleksander Gabryś simultaneously improvised words in German addressed to the audience. The starting point was a childhood experience of déjà vu, from when he was about six years old — recalled and experienced anew, here and now on stage.

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Helmut Oehring and Aleksander Gabryś in Freiburg around the world premiere of Angelus Novus III.
Helmut Oehring and Aleksander Gabryś, Freiburg, 14 June 2016.

Michel Roth

Michel Roth - Kavalkade

Michel Roth's Kavalkade with Aleksander Gabryś.

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Michel Roth - Kavalkade

Michel Roth's Kavalkade.

SoundCloud

Works and materials

GABRYS GIGER

Improvisation: Aleksander Gabryś · Camera: Jannik Giger

Gabryś und Henneberger - Transformation

Four films from the GABRYS GIGER cycle, held here with Jannik Giger's Transformation context.

PLAY ME!

Start two, three, or all four videos simultaneously and discover a different GABRYS GIGER every time.

GABRYS GIGER I

First film from the GABRYS GIGER cycle.

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GABRYS GIGER II

Second film from the GABRYS GIGER cycle.

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GABRYS GIGER III

Third film from the GABRYS GIGER cycle.

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GABRYS GIGER IV

Fourth film from the GABRYS GIGER cycle.

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Gabryś und Henneberger - Transformation

Jannik Giger film work

Media

Jannik Giger's film work Transformation. Jürg Henneberger conducted silently on screen; Aleksander Gabryś made a live improvised double bass / creative contribution in response.

Jannik Giger's film work Transformation. Jürg Henneberger conducted silently on screen; Aleksander Gabryś made a live improvised double bass / creative contribution in response.

Concept and film: Jannik Giger. Silent conductor on screen: Jürg Henneberger. Live improvised double bass and creative contribution: Aleksander Gabryś. Photo: © Jannik Giger.

Aleksander Gabryś in connection with Nicolas Tzortzis and Thomas Wally.

Nicolas Tzortzis / Thomas Wally

Running a business, hommage à Tony Soprano; Soliloquy III: polypolar dancing drone bass bear. 131 Fragmente

Two composer relationships around works for double bass, dedication, and the physical language of solo performance.

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Creative relationships

Composer-performer collaborations

These encounters gather situations in which Aleksander Gabryś appears as performer, dedicatee, consultant, or co-creator of the musical material.

Aleksander Gabryś in a working setting connected with Scelsi Festival Basel and performance tradition.
Scelsi Festival Basel: rehearsals and concerts as a handover of performance tradition.

Giacinto Scelsi

Transmission

A meeting with Michiko Hirayama and Rohan de Saram during Scelsi Festival Basel, understood as a handover of performance tradition through rehearsals, concerts, and shared work on Scelsi's sound world.

  • Work with Michiko Hirayama and Rohan de Saram during Scelsi Festival Basel.
  • Rehearsals and concerts: C’est bien la nuit; Maknongan; Okanagon; Dharana with Rohan de Saram; Canti di Capricorno with Michiko Hirayama.
Scelsi Festival Basel working moment connected with Michiko Hirayama, Rohan de Saram, and Aleksander Gabryś.
Work around Scelsi's repertory with Michiko Hirayama and Rohan de Saram.

Douglas McCausland / for Aleksander Gabryś

Convergence

Video trace of Douglas McCausland's Convergence, a work for augmented double bass and electronics performer, written for Aleksander Gabryś and developed in collaboration with him.

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More about Convergence
Aleksander Gabryś in connection with David Moss, Helmut Oehring and FinsterHERZ oder Orfeo17.

David Moss / Helmut Oehring

FinsterHERZ oder Orfeo17

A working situation with David Moss and Helmut Oehring in which voice, stage energy, and double bass performance meet.

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Helmut Oehring — FinsterHERZ oder Orfeo17

Aleksander Gabryś as Kurtz — double bass and voice

Aleksander Gabryś as Kurtz — double bass, voice and stage action in Helmut Oehring’s FinsterHERZ oder Orfeo17. This excerpt from the world premiere in Potsdam shows Kurtz among the orchestra and other soloists, including David Moss as Marlowe / Orfeo 1.

Kammerakademie Potsdam. Musical direction: Antonello Manacorda.

FinsterHERZ oder Orfeo17 — excerpt

World premiere, Waschhaus Arena, Potsdam, 30 September 2017. Audience recording, 3:04. Camera operator unknown.

Aleksander Gabryś in connection with Davor Vincze and La Tentation de Saint Antoine.
After the Stanford performance.

Davor Vincze

La Tentation de Saint Antoine

A composer-performer relationship with Davor Vincze around La Tentation de Saint Antoine. The photograph comes from the Stanford performance context.

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