Ensemble Phoenix Basel
Rio, my Rio performance context
Rio, my Rio with Ensemble Phoenix Basel.

Ensemble Phoenix Basel
Rio, my Rio performance context
Interpretazioni
Interpreti, ensemble, direzioni musicali, festival, città, luoghi, opere, registrazioni, fotografie e video restano collegati a contesti interpretativi precisi, incluse situazioni solistiche e cameristiche con Gidon Kremer, Kremerata Baltica e diverse interpretazioni in quintetto con la violoncellista Sol Gabetta.
Rio, my Rio performance context
Rio, my Rio with Ensemble Phoenix Basel.

Rio, my Rio performance context
Performance context for Erinnere dich an G.
Klaus Huber's double bass concerto with Ensemble Contrechamps in Geneva.

Performance context for Erinnere dich an G.
Performance of Klaus Huber’s double bass concerto with Ensemble Contrechamps, Geneva.
Pushkin Museum, Moscow, December 20, 2021
Klangforum Wien at the Pushkin Museum in Moscow, 20 December 2021.
György Ligeti, Kammerkonzert
A 20-second excerpt from the double-bass solo in the final part of György Ligeti’s Kammerkonzert.
Xenakis portrait, Acht Brücken Festival, 10 May 2013
Aleksander Gabryś performing Iannis Xenakis' Theraps at WDR Funkhaus, Großer Sendesaal, Cologne, during Ensemble Modern's Xenakis portrait concert at Acht Brücken Festival.

WDR Funkhaus, Colonia, 10 maggio 2013
Aleksander Gabryś performing Iannis Xenakis' "Theraps" at WDR Funkhaus, Großer Sendesaal, Cologne, during Ensemble Modern's Xenakis portrait concert at Acht Brücken Festival, 10 May 2013.
Collaboration with Simone Keller & Ensemble Tzara
New Music Performance of the Year Award in Dublin for the 2019 performance of Steven Kazuo Takasugi's Sideshow at the Music Current Festival. The performance was praised by The Irish Times.
Premiere context
Performance context for Michel Roth's Kavalkade at the XIII Śląskie Dni Muzyki Współczesnej in Katowice, November 2008.
Video provenienti da contesti solistici, cameristici e di musica contemporanea, presentati come tracce interpretative.
«Con una fisicità potente del suonare, Aleksander Gabryś dava alle sue note una forza primordiale animale.»
Joep Christenhusz, NRC Handelsblad, 9 novembre 2018.